What’s better: Musical Or Technical?
In music there is always the debate and discussion about musical vs. technical guitarists. What is the correct balance? Can you have the best of both worlds? And which is more important?
There is a general agreement that most people would much rather listen to a guitarist who is musical rather than technically proficient. After all it is this musicality that creates the various emotions and energies in music which in turn are the vehicles that takes us on a musical journey.
Why are Hendrix, Santana and Clapton are some of the best known and most listened to guitarists? It is not because they have the highest level of skill on the guitar. In fact I know many guitarists who have more technical skill with the instrument. This includes a number of my own students. But the musicality and creativity in their playing is what draws in the listeners. They give you something in their music that can be experienced and not just appreciated.
This is not to say that technicality and skill on the guitar is not important. Without technique there is of course no ability to play the notes we want. As a result no space to be able to express our musicality. So without question both of these sides of music need to go hand in hand.
That being said these so far are not new thoughts so I want to dig a little deeper into how musicality and technicality relate. Plus a few ideas on how to bring a balance into your own guitar playing.
Where are musical and technical playing at odds?
I’d like to throw out some idea of the issues you may encounter (or already have) while trying to develop musicality in your playing. By understanding this we can then also look at how you can avoid these issues and become a better guitarist.
Through my experience over many years with many different students and professional guitarists certain patterns in learning have emerged. Here are some common patterns you may be able to relate to. While reading this list have a think about your own guitar playing and ask yourself how many of these you are guilty of:
- Slowing down at the difficult sections?
- Letting position changes have an affect on the timing and rhythm?
- Tending to have fewer dynamics in faster sections?
- Having notes stop sounding prematurely, before the next note in the same voice is played? (more relevant for classical guitar music)
What do all of these on this list have in common? They are all the physical aspects of playing the guitar that obstruct our musical goals.
We slow down at the more difficult sections. Add gaps that are not in the music to get our fingers on the harder notes. And focus most of our time on trying not to play a ‘wrong‘ note. This is all the time at the expense of the song’s rhythm and dynamics! This destroys any musical ideas you were aiming for. As a result of this we focus on correct notes and accuracy that takes us away from musicality. This of course takes us away from our audience. Remember the audience is not there to hear correct notes. They are there to have an experience!
How do you overcome these technical traps?
So what can we do to take our playing in the right direction? How can we put the focus back on the musical and creative rather than the correct? There are actually many things that can be brought into your approach to learning. This includes a number of ideas you can easily add into your day-to-day playing that develop the balance you are after.
1. Play songs that are in your skill range (Skill buffer)
A song that is in your skill range means nothing needs to be compromised in order to facilitate the technique. Ideally you will be able to play the song at least 30% faster than you need to and still feel comfortable. This creates what I call a Skill Buffer which is essentially a safety net. It allows you to play around with different volumes, tones and other elements you have control over in your sound. As these elements are what create the expressive side of music this takes you a step closer to your musical goal.
Without the space given to you by this Skill Buffer all your focus is needed purely to play the notes with nothing remaining for expression. However, with this extra control you are now in the position to think of the audience, the sound you are making and create the energy you want.
2. Slow down
Slowing down your playing also gives you more time between the notes to think and adjust to make a better sound. Again this creates a similar safety net and is without our speed being at the expense of our musical goals.
Although the harmony creating tension in the music draws in the ear waiting for the resolution. It is the rhythm of the music that you can join in with and follow as a listener. So by playing at a speed that in any way disrupts the rhythm through the extra difficulty you throw the listener off.
In classical guitar there is an assumption at many levels that as we might not be playing in a band the rhythm is less important. We can also take extra liberties with rubato that are not common in more modern forms of music.
However, the way the ear naturally responds to music does not change genre by genre. By sacrificing a little bit of speed you can keep a rhythm that your audience can follow.This will in time speed up and you will have the best of both worlds.
3. Ensemble playing
Playing with others in either a band or ensemble groups can also help. It moves your mind away from your own guitar and instead helps you listen and become more aware of the overall sound. You also can no longer change your speed to accommodate for difficulty. This is because you are not in control of the speed and the song will move on without you. And as you are playing with other musicians the difficulty of what would have been a soloist’s job is now delegated between the group. This is why in general the music is significantly easier. This focus on the rhythm and sound is an essential element of group playing. As such it develops as a skill of its own and with a little experience will bleed back into your solo playing.
Final Thoughts
Have you got more thoughts to get the golden balance in your guitar playing? These ideas here have had the most affect on both my playing and my students playing. Keeping in mind both sides of musical and technical playing makes the best musicians.
The key to understand is that technique opens up potential for creativity. It does not make you more creative. Too much focus on creativity over technique leaves you without the tools you need. So take some time to see where you sit between these two. Then carve your path towards being a balanced guitarist.
Did you find this page useful? If so be amazing and share it with your friends! And don’t forget to Follow me on Facebook, Stay up-to-date on my Twitter and See the latest pictures and videos on Instagram. I’ll see you in the next article!
How refreshing and encouraging for all, beginners and masters alike!
I think the more important question is: Which brings you most joy? Some will get a real kick from achieving technical perfection and others will prefer to kick back and go with the flow of creativity. Either way, the passion and enjoyment you feel will shine through, and this is what people and you will be drawn to. Which is what fundamentally matters, I figure… This quote says it perfectly: ”If you’re not feeling the content of the music, then we’ll essentially get 3.5mins of conflict and not cooperation. We need to get joy back in it!”
As for the correct balance? Everyone’s idea and feel of it is different. How boring would life be if we were all the same? Seeking out our own authentic balance will be the correct one and with your tips Dylan, it sounds like achieving the best of both worlds, is possible. It also made me think about how some of the principles and ideas you highlighted might bleed into other aspects of our lives, philosophical eh. Thanks for sharing 🙂
Yes well said, the overarching idea is to question and explore so as not to be stuck in a place that is not a balance you enjoy. Questions are a psychological form of movement. As water is always in motion it quickly finds its own level, whereas stone takes a millennia to do so.